I’m Going To Get Kicked Out of Fight Club for This

When asked who should play them in the movie of their life, what is the one name that people say? Although they are usually being sarcastic, the answer I hear the most is “Brad Pitt”.

And why not? He’s a versatile actor, having played a cowboy hitchhiker, a vampire, a con artist, a spy married to an enemy spy, a man aging in reverse, and Tyler Durden from Fight Club, to name a few.

The movie Fight Club didn’t do as well in theatres as expected, but after its release on DVD, it garnered a cult following. The movie centers around a nameless Narrator, who is suffering from insomnia and feels trapped in his white-collar job. He begins attending support groups so he can “appreciate real suffering”, and finally finds himself able to sleep after attending these meetings and crying with the people who are really dying. Then, he meets Tyler Durden (played by Brad Pitt), a soap maker (among other things). They go to the bar, have a few drinks, and just when they’re leaving, Tyler Durden randomly says those fateful words: “I want you to hit me as hard as you can.”

These are the words that started Fight Club, an underground place where men go to beat the crap out of one another. Together, the Narrator and Tyler Durden make up the rules of Fight Club:

1. You don't talk about fight club.
2. You don't talk about fight club.
3. When someone says stop, or goes limp, even if he's just faking it, the fight is over.
4. Only two guys to a fight.
5. One fight at a time.
6. They fight without shirts or shoes.
7. The fights go on as long as they have to.
8. If this is your first night at fight club, you have to fight.

The violence of Fight Club serves as a metaphor for feeling, rather than to promote or glorify physical combat (which I admit, I thought the movie was about before watching it: A bunch of guys out to prove their masculinity by beating each other up). The fights represent the impulses these men have to break out of society.

Although the actual fight scenes serve to show how these men desire to feel, the subject of how these men are struggling to be men is touched on, too. Several times in the movie, the Narrator and Tyler talk about how messed up the version of how men are "supposed to be like" really is and how they’re personally struggling to be men because their generation was raised by women and they didn’t have a man to look up to.

I feel like there were a lot of subliminal messages in Fight Club (subliminal messages was another theme the movie touched on), and I’m pretty sure I missed most of them. After all, I’ve only seen Fight Club once. Warning for all those who have yet to see it and want to: It is graphic and kind of weird. And it feels kind of like watching a dream, especially when you see a penguin playing in the Narrator’s relaxation cave (Don’t ask).

So if you’re feeling a little fed up with what society tells you to be like: take Tyler Durden’s example. Sell all your worldly possessions, move into a dilapidated house, and start a Fight Club.

A Box of Chocolates

“Momma always said life is like a box of chocolates. You never know what you’re gonna get.”

(If you haven't seen Forrest Gump, here is a quick recap)

Tom Hanks immortalized the man known as Forrest Gump, showing us the events of the world from the innocent perspective of a man with an IQ of 75.

Although this movie showcases events in history such as the Watergate Hotel scandal, President Kennedy’s assassination, and Hurricane Carmen, this story centers around Forrest and his pure, chaste love for his childhood sweetheart, Jenny, which is what we're going to be exploring this week.

Forrest fell in love with Jenny the moment she let him sit by her on the bus on his first day of school. Forrest testifies years later that he had “never seen anything more beautiful in his entire life”. She is the first person that showed him kindness (besides his momma), and he develops a deep attachment to her, the girl with the “most beautiful voice in the wide world”.

I’ve watched this movie many times over, and each time, I realize something more about the character of Forrest Gump that I didn’t realize before. The first time I saw a clip of it was when I was five (just the “Life is like a box of chocolates” scene), and I didn’t even realize that Forrest was mentally handicapped. In fact, I only remember thinking that the lady sitting by him on the bench was being rude to him, only answering him with minimal language. As I got older, I began to realize more of the emotions that other characters were feeling, such as Lieutenant Dan when he legs lost his legs. I started recognizing more of the songs of the period (Simon and Garfunkel, the Doors). I also realized that although Forrest was capable of loving Jenny completely and irrevocably, she didn’t love herself.

This is evidenced by the scene in which Jenny is getting grabbed by some men at the strip club, and Forrest beats them up. Jenny flies into a rage, telling Forrest to “stop it” and that he “can’t keep trying to save her”.

“I can’t help it.” Forrest drawls, “I love you.”

“Forrest…you don’t know what love is.” Jenny replies snidely.

This is a statement that sticks with Forrest throughout the whole movie, moreso than being called “idiot” or “stupid” (“Stupid is as stupid does.” Sorry, I had to). In a poignant scene near the end of the movie, which takes place decades after Jenny told Forrest he didn’t know what love was, Forrest gets quiet and says, “I'm not a smart man. But I know what love is.”

And indeed he does. Throughout the film he constantly displays unselfish love for the people in his life. He doesn’t think twice when he runs back into a Vietnam forest that is being bombed, because he knows his “bestest good friend”, Bubba, is in there. He jumps off his shrimping boat and swims to shore when he hears that his Momma is sick. When he bumps into Lieutenant Dan, a now-wheelchair bound veteran, Forrest spends New Years with him. Even after Jenny refuses his marriage proposal and takes off, Forrest runs to her side when she calls for him. I can’t think of a scene where Forrest isn’t caring for someone or loving someone around him, even though, technically, it should be vice versa, since he is mentally handicapped.

And that’s all I have to say about that. :)

(Okay, I know you have memories or a favorite scene from Forrest Gump, so leave a comment telling us about it.)

The Voice Behind the Faces

Have you ever seen My Fair Lady, West Side Story, or The King and I? They are all beautiful musicals that garnered praise and Academy Awards. Maybe you’re wondering what these movies have in common, besides their type of genre, and the answer is simple: Marni Nixon. No, she was not a director, a producer, or even an extra hanging out on the back of a scene. But even though you didn’t see her on the screen, I’m betting that you heard her.

Marni Nixon was the singing voice for the leading ladies of these movies and more. She was the voice of Maria from West Side Story, Anna from the King and I, and Eliza Doolittle from My Fair Lady. And she was not credited. This was back in the 1960’s when the singers who dubbed the songs for actors and actresses were not given nationwide credit for lending their voices to the big screen. Audiences generally believed that actresses such as Audrey Hepburn, Deborah Kerr, and Natalie Wood had phenomenal singing chops as well as acting talents.

All of these movies have been near and dear to my heart since childhood. It was quite a shock to discover that my dear Audrey Hepburn didn’t actually sing about how “loverly” she felt. Or that maybe while Deborah Kerr could whistle a happy tune, she couldn’t carry one. Even Natalie Wood, miscast as a Puerto Rican, due only to the fact that she was a major star, had me believing that maybe they cast her because of her singing skills. No such luck. Only her thick, fake, Puerto Rican accented lines were her own.

These leading ladies received Academy Award attention for their roles in these musicals. But I think they are fooling themselves if they believe it was merely on their acting abilities. While they are good at acting, the crew of their films misled the audience to believe that they performed their roles in their entirety. Despite the fact that it is decades after the fact, should Marni Nixon receive some type of award for her contributions to these films? What do you think?

(One last little tidbit: Marni Nixon’s last recorded song for a movie was the 1998 Disney film, Mulan, where she was the voice and singing voice of Mulan's feisty Grandma Fa. And Marni was credited for both talking and singing.)

Somewhere Over the Rainbow

Frances Ethel Gumm was born June 10, 1922, in Grand Rapids, Minnesota. She began her acting and singing career when she was only three years old, and continued for four and a half decades. She received a special Juvenile Academy Award, won a Golden Globe, as well as some Grammy Awards and a Tony Award. Her rendition of the song “Somewhere Over the Rainbow” was chosen as the #1 song of the century by the American Film Institute. She changed her name somewhere along the way, to the name most of the American public recognizes – Judy Garland. But even though the still-popular children’s movie, The Wizard of Oz, may have shown us the sweet, innocent side of Judy, there was more to her than meets the eye.

Despite her triumphs in Hollywood, Garland had many personal problems during her lifetime. She was insecure about her appearance, due to the fact that many film executives told her she was unattractive and overweight. MGM, the studio she was signed to, gave her drugs to keep her energy level high and her weight level down. Garland became addicted to these drugs for decades. Although she was famous, Garland was not financially stable. She owed hundreds of thousands of dollars in back taxes (IMDB).

Not only was Garland having trouble financially, she was struggling in her relationships, as well. She divorced four out of the five times she was married. She also tried to commit suicide several times, until she finally died of an accidental drug overdose when she was forty-seven, leaving behind her a legacy from Hollywood’s Golden Age and three children.

In 1997, Garland was awarded a Grammy Lifetime Achievement Award, but she never lived to accept it. The American Film Institute named her the #8 greatest female star in Hollywood history. Although Garland is gone, she will live on, through her movies, her recordings, and in that song everybody knows the words to. Maybe the fact that her life was so hard made the wishful emotion in her voice during “Somewhere Over the Rainbow” more real for audiences listening to her.

I watched the Wizard of Oz many times as a child. I never would have guessed that the wide-eyed teenage star of this iconic film would have gone through so many troubles during her lifetime. I always thought of Dorothy as happy and innocent. But I guess that’s part of the magic of Hollywood: You see only what they want you to see.

Read This Blog, You Will

When someone wants to mimic being a “master” at something, or is giving wise counsel to a friend, they often adopt the habit of talking like they don’t know whether a verb or a noun goes first in a sentence (ex. “Speak like an idiot, I will.”) You have, no doubt, imitated this great Jedi’s voice once in your lifetime. This week, I’m going to discuss the pinnacle of the Jedi Temple, the greatest master of them all. Even for those who haven’t seen Star Wars, they probably recognize the awesome little green guy from the movie.

Master Yoda, he is.

Yoda is one of the great movie-mentors, up there with Mr. Miyagi and Morpheus. He is wise in his old age (which, by the way, is approximately 900 years old during the Star Wars movies)and has great nuggets of wisdom that he can’t wait to dish out (“Do or do not, there is no try”).

Luke Skywalker, the main hero of the earlier Star Wars trilogy, started his Jedi training with Obi-Wan Kenobi when he was a mere farm boy from Tatooine. But after Obi-Wan died (sorry if I spoiled that, but you really should’ve seen Star Wars by now), Luke was left alone, his training incomplete. Obi-Wan’s spirit sent him to the Dagobah System, an entire planet that is one big swamp. There, Luke meets Yoda, but doesn’t realize that it is the diminutive green creature is the Jedi Master he is looking for. Yoda finally reveals himself and Luke begins the completion of his Jedi training, so he can face Darth Vader once and for all.

In Episodes 1-3, Yoda is the head of the Jedi Council. Every single Jedi Master looks up to him, and they have reason to. Yoda never makes mistakes and is a cornucopia of fortune cookie sayings. The only mistake he made was allowing young Anakin Skywalker to begin training as a Jedi at the ripe old age of 9 (training usually begins when the child is a toddler), even though he had reservations, due to the boy's anger issues. This ultimately cost the Jedi their entire way of life, their lineage burned to the ground, thanks to Skywalker, Sr.

In Episodes 5-6, Yoda is reduced to living in hiding on the planet Dagobah. If you watch the movies in the order they were made, we first see Yoda through Luke's eyes and write him off as a crazy little green elf who steals Luke's flashlight and dinner. Yoda's disposition changes entirely once he tests Luke's patience, however, and suddenly, he's not just a crazy little green elf, but a Jedi Knight who is far more intelligent than he lets on.

I always thought that Yoda was the one of the best characters on Star Wars (Han Solo is right up there, too. Come on, it's Harrison Ford), for these reasons:

1) He's green.
2) He can lift small aircrafts out of mucky swamps with nary an effort
3)He can take on a Sith Lord even though he is 1/4 his enemy's size.

But the main reason I have a soft spot in my heart for Yoda is for this reason: He has shown us that "size matters not". You don't have to be ripped like Rambo or Arnold Schwarzenegger to kick some bad guy butt. All you need is a little faith; in yourself, in others, and in the Force.

Why So Serious?

Last summer, The Dark Knight was released in theatres across the nation and was the highest grossing movie out of any superhero blockbuster ever made; bumping Spiderman 3 off the list. Maybe you are one of the few who hasn’t seen The Dark Knight movie yet, and if this is the case, you’re probably asking: what was all the hype about? It’s just another superhero action movie, complete with a Hollywood heartthrob who wears his underwear outside his tights and a baddie who wants to, ahem, take over the city. Those who haven’t seen the movie don’t understand how the Dark Knight went from regular superhero movie to outstanding box office smash, despite the bangs, booms, and sinister hissing of the creepy catchphrase “Why so serious?” You may write off the Dark Knight’s success on the passing of Heath Ledger, and in part, this is probably true. Many of his fans came to the theatre to gawk at his ghost and bid old Heath adieu. Ledger’s Joker has inspired many a Halloween costume and a few copycats. But I think that there is more to this blockbuster than meets the eye. It is a retelling of the classic good vs. evil storyline, revamped and ready to entertain an entirely new generation of young people longing, subconsciously or not, to see good triumph over evil.
The plot of the Dark Knight is too complicated to completely retell here, but here are the basics: Batman (Christian Bale) is helping rid Gotham of crime with the help of his butler/father figure Alfred (Michael Caine). Then the Joker comes along like a bat out of hell, with no name, no alias, custom clothing, and nothing in his pockets but knives and lint. He begins the fight for Gotham’s soul; doing anything he thinks will provoke chaos and performing his “magic trick” for people who look as though they’re going to be any sort of hindrance. He has never heard of a thing we mortals like to call soap, burns the billions of dollars he earns from the Mob, carves his face with a Glasgow smile, and douses it in Mary Kay products. This character may seem like just another homicidal freak, but the Joker is more than that.
He is the symbol of innocence lost; of the decay of morality. Even his makeup seems as though it is decaying. The Joker is not interested in killing Batman. He merely wants to bring the Caped Crusader down to his level, and has no consideration for his own life, as evidenced by the “C’mon…HIT ME!” scene from the movie.
“[The people of Gotham] are only as good as the world allows them to be.” The Joker says to Batman in one intense scene, “When the chips are down, these civilized people…they’ll eat each other. You see, I’m not a monster. I’m just ahead of the curve.”
The movie doesn’t disappoint. There’s plenty of action to keep the regular Joe’s content, while there is enough philosophical substance to satisfy a diehard connoisseur. And Heath Ledger is mesmerizing. I personally didn’t know whether to laugh at the Joker or shrink back in my seat. But the “decay of morality”, which the Joker symbolizes, is no laughing matter.
I won’t give away the end of the movie; let’s just say that it is worth it. And even if you don’t start spouting off the Joker’s creepy catchphrases, this movie leaves you with plenty to think about.

Here's Looking At You, Humphrey

He didn’t have classic “movie star” looks. He was short, only 5’8’’, and he had a slight lisp when he talked. Yet Humphrey Bogart is the American Film Institute’s #1 actor of all time and has created some of the most memorable characters seen on film. This week, we’re going to take a look at the first Hollywood icon: Humphrey Bogart.

I was watching Humphrey Bogart movies before I even knew who he was. I don’t know how many old black and white movies my grandma made me watch when I was little, but Sabrina was among them. It was one of Bogart’s last performances and definitely not his best, although it is a thoroughly entertaining movie with a good cast. When I started taking an interest in classic films later on in life, it was cool to already have a connection with “Bogey”.

Bogart began his acting career in plays, but when the stock market crashed, he began to look for film roles. He got his breakout role in 1936 in the movie The Petrified Forest, acting alongside Bette Davis and Leslie Howard. After that, he was typecast as a gangster in several ‘B’ movies before his rise to stardom as Rick Blaine in Casablanca, a man torn between love and obligation, right and wrong, revenge and duty (International Movie Database). This is probably my favorite Bogart movie, because there are virtually no flaws in it. The acting is superb all around, the plot is riveting, the characters have faults but ultimately do the right thing, the lines are insanely quotable, and the bad guys are Nazis. It’s also considered a cinematic masterpiece, staying on top of the American Film Institute’s Top 100 films, despite its age.

But despite the popularity of this movie, it almost didn’t make it past the censors. The movie contained allusions to the main woman character, Ilsa, having an affair with Rick Blaine, Bogart’s character. (SPOILER ALERT) It scraped by because Ilsa thought her husband was dead at the time of the affair, and she leaves with her husband instead of staying with Rick at the end of the film, comforted by the fact that she and Rick will “always have Paris”. The ending of this film alone is packed with famous movie lines. Although you have probably heard them before, they came from Casablanca: “We’ll always have Paris”, “Here’s looking at you, kid”, “Round up the usual suspects”, and “Louis, I think this is the beginning of a beautiful friendship”.

And of course there is the famous line “Play it again, Sam”, when in fact, this is never spoken in Casablanca. The correct line is “Play it, Sam. For old times sake”.

Some other roles that Bogart set in stone are Charlie Allnut in The African Queen (for which he won his first and only Oscar), Fred C. Dobbs in Treasure of the Sierra Madre, Sam Spade in The Maltese Falcon, Lt. Queeg in The Caine Mutiny, and Steve Morgan in To Have and Have Not.

Although he only won a single Oscar during his lifetime, having the bravery to use his real name, Humphrey Bogart, as his acting name should have earned him at least 5 Oscars.